The clouds in this shot were not moving quickly like the ones from yesterday’s shot. This made them much clumpier and uglier as I mentioned. Even a 30 second exposure only gave them a little bit of motion, so I spent a little bit of extra time using color and curves to add some additional mood to the sky. This ended up giving me my moodiest edit of the Imagination Pavilion yet.
Usually I prefer completely clear night skies to capture. Cloudy skies often turn into an ugly mess but on this night the clouds were moving extremely quick which I knew could end…
If you want the sweet foreground bokeh, Epcot’s got the goods for you. This is the kind of shot that makes you thankful to have a flip screen. Laying flat on the…
An immediate reaction to this shot may be why is the tip of the Imagination building cut off. The answer to that is because immediately just out of frame is the monorail…
Skies play a big role in my decision to shoot or not shoot a scene. Having shot around Walt Disney World so much now I have multiples of many of the more…
In the never-ending quest to improve my post processing I’m introducing some new techniques with today’s photo. The photo still looks like something I would process but I think is a bit…
Today’s shot is another go at Spaceship Earth with my newest lens acquisition, the Rokinon 12mm fisheye. I tried not to overdo it and shoot everything with the fisheye. It’s hard once…
I was digging through some older shots (2016) and came across this one which I never processed in the day. I’m glad I didn’t process it because I don’t think my editing…
It seems like it’s been quite a while since I’ve done a China pavilion shot and I found myself gravitating towards my old, brighter editing style. Ultimately, I brought back a bit…
It’s nice to finally be padding out my Animal Kingdom photo selection with some quality shots. I’ve largely neglected shooting that park for the past 7 years and it really is an…