This was a shot I was looking forward to trying all day. I figured this would work really well with Nikon 70-200 shot from afar to create some compression. In particular, I like just how large and grand it makes Spaceship Earth look by zooming. National Park Mickey really helps to add a bit of foreground interest. Really, without the topiary there I probably wouldn’t have even thought or been interested in taking the shot like this.
For this shot, I definitely did a bit of working the scene first. I will start taking shots and moving around and making adjustments until I get something I feel is the shot I was looking for. Especially with the topiaries, the most obvious shot may not be the one I want. I don’t want to just duplicate what has already been done a bunch of times. The sun was in a good spot behind the topiaries for me to utilize it I thought so I got low and continued moving around trying to find the shot I wanted. I tried vertical but found it somewhat boring. Now I’m not one that needs to add a “tilt” to every shot but I felt it worked well with the lines of the topiary and made the shot feel more dynamic. The sunburst was a bit of extra icing on the shot.
I really like this spot for shots of the Seven Dwarfs Mine Train. Unfortunately, you can only take so many regular shots here before it gets boring so I wanted to try something else. I setup the shot with my tripod so that I could do a long exposure to blur the train coming around the corner. I also took a couple shots with a high shutter speed to capture the train frozen going across the top bridge. I combined them together with some masking in post and then did my regular editing to get the final result. If nothing else I think it at least mixes the shot up a bit.
This has become the go to spot for Disney photographers seeking out an awesome Magic Kingdom sunset. There is a good reason too. Is there anything more magical than Cinderella Castle with an awesome sunset behind it? I don’t think so.
There are really two good spots for shooting sunset of Cinderella Castle from this side. One is on the bridge heading into Fantasyland/Tomorrowland, which is where I shot this one, and the other is next to the wishing well. Go to one of these spots during sunset and you are sure to get an amazing shot. For this shot, it was blind luck that I perfectly timed my arrival to get the awesome burst of the sun between the spires of the castle. Just a bit later and I would have still got the awesome glow and perhaps a bit more variation in color but I would have lost the burst, which I think helps make this shot a little extra special. I hope you think so too.
No night of shooting at Epcot is complete without a few final shots at the entrance to Epcot in front of the planter and Spaceship Earth. This is especially true during the Flower & Garden Festival with all the great flowers and topiaries present. Of course I got the classic head on shot but I wanted to try a few off to the side angles as well just to see what would work. This was one in particular that I liked. I shot this kinda low more at the height of the flowers so they could really fill the foreground with all the various color. From this angle it’s almost as though you are peaking over a flower field up at Spaceship Earth. And of course it’s also from the height of a child which I always say is a wonderful level to photograph the parks from. It makes everything look just a bit more grand and spectacular.
This is one of the last photos from my recent trip and it comes with a bit of a story. I’ve been shooting in the parks for several years now and one of the consistent things about shooting an empty Main Street USA is the ever present security guards. As I started shooting this night in the hub itself the guards were present as usual, and I did as I always do, get a few shots and move further down Main Street towards the exit. I was having a good time shooting around Main Street USA and did not realize quite some time had passed with practically no other guests in the park. What’s more, I didn’t even notice any security in my immediate vicinity. Usually by now, they’d be pressing in for me to leave. That was 20 minutes before I took this shot. By the time I took this, shot save for some 1 or 2 cleanup workers there was no one around. No guests, no security, no one. I was literally the only person in the park as far as I could see. I had spent significantly longer shooting on Main Street USA than ever before but no one was pushing me to leave. I did take a moment to take it all in, but as this was my last night and I had a long drive back home the next day I just took a few more quick shots and headed for the exits. There was a security guy on the other side of the Train Station who wished me good night but it was still a surreal experience. It’s the sort of thing I’ve experienced at Epcot before but never the Magic Kingdom.
In honor of the new Beauty and the Beast movie trailer (which looks awesome by the way) I figured I’d post up one of my Beauty and the Beast related shots from the Flower & Garden Festival. For this particular shot I actually had the tripod fully extended on the edge of the fountain. I shot with the Nikon 70-200 2.8. I wanted to get a straight on shot like this but I didn’t really want the fountain in it but I did want all of the great background buildings and Eiffel tower. Even with the tripod on the ledge and fully extended I did get just a bit of the fountain water spraying into the frame. I also had to make a compromise and really push Belle and the Beast to the bottom edge of the frame but I think it ultimately works for this shot because of how the background fills the frame vertically.
I constantly get asked how do I take pictures of the park without people in them. The answer is pretty simple, just wait for the people to not be in the shot. I wanted to illustrate how deceiving an empty park shot photo can be through this otherwise throwaway photo of mine. The photo I posted of Cinderella Castle earlier today has absolutely no one in it. It would appear I am completely by myself in the park. This shot however was taken within minutes of the Cinderella Castle shot directly behind me by literally turn the tripod around from the spot I was in. As you can see there are still tons of people left in the park. The trick then is all about shooting the park in a way you are in position to take photos of sections with no people as the areas are emptying out and before security closes them off and users you out as well. After this shot I proceeded to shoot more around the front of Cinderella Castle getting “empty park shots” while Main Street USA emptied out behind me. This may be one of the only times when you’re truly waiting for everyone to get out of the park if you are wanting a people free shot down Main Street USA. Hopefully this sheds some light on this for a lot of you.
I’ve done a similar shot before but I didn’t include as much of the pathway through the castle and I was little further up. Perhaps most of all this was shot during the Kiss Goodnight which is the only time I know to get such deep color on Cinderella Castle with the twinkly lights. Toss in some stars in the sky and I think it adds up to my best version of this shot yet. To get this shot I was pressed all the way up against the wall to the stage. I used my widest lens the Nikon 14-24 2.8 in a vertical position obviously. Since I last tried this shot I switched to a Really Right Stuff ballhead and L-plate. Using the L-plate really helps with vertical shots like this. On my old setup I used to get slippage so I could only shoot short periods without messing up the shot. The RRS setup has really allowed me to take way more vertical shots without having to worry about this.
The title of this shot is really a happy accident. I processed this shot and was thinking of a name and I really wanted to name this Midnight in Paris after the movie, which I really loved. Imagine my surprise when I look at the clock and it was at exactly midnight. Of course, I HAD to use the title then, so there it is. Here is yet another example of Disney Imagineering’s obsession with blue light at night. Again, it’s not that bad in person but it’s not the greatest to photograph and it washes out pretty easily on longer exposures. I thought about color correcting it but I thought it provided a nice contrast for this shot and worked well enough, especially with the color of the flowers breaking it up a bit.