I haven’t done a Splash Mountain photo in a while and it has been especially a long time since I did a night time version. This is your standard straight on view but one I feel never tires. It’s a fantastic spot for a photo. Fortunately, the sky was quite clear over Splash and I was able to capture a fantastic starry sky to go along with it. For me this is almost essential for a great nighttime Splash Mountain photo. It really adds to that out on the frontier feel.
I’ve always really liked the futuristic scenes as you exit Space Mountain but for whatever reason I never really had any good pics of them. I posted a single shot of this scene a very long time ago but it was not great. Fast forward to this trip and when I came off Space Mountain I was excited to see the conveyor belt that you ride past these scenes wasn’t running. This meant I could easily stand in place to take shots of these scenes. This allowed me to frame the shot the way I wanted without having to fight against the conveyor belt. I only wish I had ridden with my tripod, as this would have been perfect to setup quickly and knock these scenes out at low ISO. Ultimately though it doesn’t make too much of a difference as the performance of a modern camera is great even at high ISO. I ended up doing a slight pano of this shot combining two shots I framed slightly differently to get a slightly wider shot than even the Nikon 14-24 allowed. Processing was incredibly straightforward after that with just a slight adjustment to shadows and highlights in camera raw followed by Nik Color Efex Pro Contrast. I used a shadows luminosity mask to apply some light denoising only to the darker areas and sharpened the final result.
It has been a while since I’ve done a fireworks image so I figured the time was due. This shot was taken from the Italy Pavilion and is a series of bursts near the beginning of the show. I used a 6-stop ND filter for the show and this particular exposure was 40 seconds. Just prior to the show starting I decided to take an exposure for Spaceship Earth as I remembered the lights aren’t on it during the show and I think it doesn’t look so great for the photo. I masked in SSE so that I have the fireworks and a nicely colored and illuminated (haha) Spaceship Earth. This exposure also had the foreground lanterns lit whereas they are off during the show so I masked those in as well to add a little bit more interest. To me it’s all about the little things that add up to really make a complete shot and help them to stand out.
This shot I think definitely tracks into the more artsy type of photo than I usually do but I think Spaceship Earth is one of the best subjects in Disney for doing some really interesting compositions. I used my tripod at its lowest point and pointed the camera almost near vertical for this shot. I think the mirrored glass here really helps make an interesting centerpiece with the distorted angles. Editing was very simple with only some contrast adjustments and a boost to the saturation.
Some of my favorite photos I’ve ever taken at Disney World are from this spot. In fact I posted a shot from this very sunset (but earlier) just a few weeks ago. As long as it’s not overcast I’ve never once been disappointed by this spot. It’s almost a guaranteed winner of a shot and one I think really personifies the Magic Kingdom and Walt Disney World. Every sunset is different too which helps the shot to take on a different character each time. It may be a shot I’ve taken many times before but its still new and unique. Now this wasn’t the most intense sunset edit I’ve done but it was still 27 layers in Photoshop. Well worth the time to help bring out the magic.
The really wonderful thing about the Flower & Garden Festival, besides the food of course, is all the wonderful flower topiaries through the park. It really opens up a lot of photo options, especially in places where there may not have been a really great photo opportunity before. I’m not one for shooting out across the lake of the World Showcase as to me there’s no real focal point when you do this. You get a bunch of sky and water, which is usually not to interesting. Having these characters here allowed me to shoot from a spot where otherwise there would be nothing and I would walk right by it.
This is a shot I’ve wanted to take for a while but just never got around to for some reason. I think I may have just given up on it because of time in the past. Almost every time the path was clear of people and I would start to shoot here would come another person walking down the path. Then when they were clear, a security guard was walking back and forth at the exit end in to Fantasyland. Fortunately, it finally cleared up, the security guard wandered off around the corner, and I was able to get this shot people free. I really love how the doors help to frame this shot and welcome the viewer into the tunnel through Cinderella Castle.
I always talk about how the backside of Cinderella Castle is my favorite side of the castle. Unfortunately, this trip there were some construction walls off to the right of the rear of the Castle killing some of the options I had been wanting to try. I ended up shooting further back and to the right using Castle Couture to block the construction. Even better the way the lines in the concrete run from here helps lead the viewer through the frame. It’s just another example of circumstances helping to rethink a scene and wind up with a shot I really like that I might have otherwise not given a try.
This was a shot I was looking forward to trying all day. I figured this would work really well with Nikon 70-200 shot from afar to create some compression. In particular, I like just how large and grand it makes Spaceship Earth look by zooming. National Park Mickey really helps to add a bit of foreground interest. Really, without the topiary there I probably wouldn’t have even thought or been interested in taking the shot like this.
For this shot, I definitely did a bit of working the scene first. I will start taking shots and moving around and making adjustments until I get something I feel is the shot I was looking for. Especially with the topiaries, the most obvious shot may not be the one I want. I don’t want to just duplicate what has already been done a bunch of times. The sun was in a good spot behind the topiaries for me to utilize it I thought so I got low and continued moving around trying to find the shot I wanted. I tried vertical but found it somewhat boring. Now I’m not one that needs to add a “tilt” to every shot but I felt it worked well with the lines of the topiary and made the shot feel more dynamic. The sunburst was a bit of extra icing on the shot.