This shot is similar to some others I’ve done but I have a little bit different framing here. I used the two spires on the left to frame Cinderella Castle which I think looks really cool. I also opted to use the Nikon 35 1.4 as opposed to the 14-24 I used before to get a tighter composition. The sky was taking on a purplish color so I decided to go with that and really boost it. The park wasn’t quite closed yet so there’s still more strollers than I’d like around the carousel but ultimately I don’t think it really hurts the shot much.
How do you know you have stayed in Epcot a long time past closing? I am guessing having the fountain water shut off on you might be a sign. Epcot has become the easiest park to shoot and close out after hours. I rarely even see security, never mind feeling pressured to leave. I had been shooting for quite some time this night after hours when just as I was setting up for this shot the fountain water turned off. Maybe it did not even have to do with the late hour and something else was up, but I am not one to be easily deterred so now I have this unique (but pointless?) shot with the fountain turned off. It is not the showcase of the shot anyways so I think it does not matter much.
I have taken many ultra-wide shots of Tomorrowland so I decided to give the Nikon 35 1.4 a go through the land. Once again, it gives me a tighter view that really brings some of the details such as the signs into larger focus. The signs too are the most difficult part of shooting Tomorrowland. It is very easy to blow the signs out when properly exposing for everything else. This can be beat by bracketing but you have to be careful on your blend or it will look bad. The Laugh Floor sign especially I have lost track of how many blown versions I have seen of this out there.
The vast majority of photos I post are either night or sunset photos. I gravitate towards these because of the beauty of the light, whether it be from the sunset, or artificial lighting in the parks. There is something beautiful to be found in a gorgeous blue sky with puffy white clouds too though. I do not really take photos during the day if it is a plain boring blue sky. If I see some nice clouds, I become much more interested. And that brings us to today’s shot of Cinderella Castle. It is a simple shot, but sometimes there is beauty in simplicity.
I have shot many sunsets at Walt Disney World but every occasionally you will get on that is extra special. This was one of those occasions. The 2 days preceding the arrival of Hurricane Matthew were some of the most awesome sunsets I have witnessed at Walt Disney World. Each evening the sky came alive in a way I as a photographer often imagine but rarely see. It did not last very long but just long enough for me to get in place for an iconic Epcot shot. I opted for the Nikon 35 1.4 for a tighter field of view.
Today I have another shot from the new-ish Frozen Ever After ride. Shooting is not terribly difficult with the main challenge in my mind being the highly articulated faces. As I mentioned before you may capture the perfect composition and catch a weird face due to them being animated. Shooting rides like this I usually shoot in high speed and will fire off 3-4 shots for each frame. This is especially useful for capturing the right expression on the newer “animated” animatronics.
This is one of those on the fly photos. I’m walking past Gertie on my way to Star Tours, I notice the sunburst, so I stop and fire off a couple quick shots. I like to go with some sort of tilt with Gertie shots as I feel like it works well with her shape. The sun location was especially nice and I like the way it back-lit all the foliage around her. I did have some slight flaring from the Nikon 14-24 but cleaned up the annoying bits.
I decided to close out the week with another shot from my recent trip to the Smoky Mountains. This was taken along Newfound Gap Road approaching Newfound Gap from the Gatlinburg side at Morton Overlook. We arrived just in time for sunset and though the sun was behind the mountain on the left it create a great glow and color across the sky. The color really complimented the yellows in the trees below.
I have done another shot from this location with the Nikon 14-24 but this time I tried the Nikon 35 1.4. I am really happy with how it turned out. The tighter view gives the image a more intimate feel to me. I also really like the little starbursts on the lamps. And of course shooting a prime lens the sharpness is unmatched. Processing was very basic with some color balancing, a single levels adjustment and some Nik Color Efex Pro Contrast. I upped the vibrance and saturation a bit and did some final sharpening.
The Country Bear Jamboree is not difficult to photograph. In fact, I would say it’s one of the easiest shows to photograph at Disney World. I have shot this show with the Nikon 14-24, 24-70 and 70-200 2.8 lenses respectively. Over time dropped the ISO as I have improved my holding technique and my shots have gotten cleaner as a result. This time however I shot with the Nikon 35 1.4 and I wanted to see just how low I could while still keep everything nice and sharp. I opted to shoot at F2 as this gave me a bit more light versus the 2.8 lenses and dropped the ISO to 320. In the past, the lowest I have gone has usually been around 800. While not an issue at all for modern sensors this was really just a test for myself to see if I could get even cleaner shots of the show than I already had. I could not be more pleased with the final result. This thing is practically noise free and definitely, the cleanest shot I have ever gotten from the Country Bear Jamboree. Now that is a lot to say about such a simple shot but it is a good reminder that we should never be satisfied getting the same results repeatedly. I like to push past what I have done in the past even if just for tiny gains.