This shot was taken with my Nikon Z7 and the Nikon 24-70 F4S z mount lens. My last trip was my first time putting the mirrorless system through the paces and I wanted to get a good sense of what it and its native lenses were capable of. Therefore, the z mount 24-70 F4S and 35 1.8S spent a lot of time on my cameras. Some might complain that these lenses aren’t 2.8 or 1.4 respectively (there is a 24-70 2.8 available now) but this is not an issue for me. The sharpness is what counts and they blow their f mount counterparts out of the water.
On this evening I opted to use my Nikon 28 1.4 as a walk around lens. Typically, I use this lens for dark rides, but the rendering of this lens is so amazing I’ve started using it for other stuff too. Combined with the Z7 it may be my absolute favorite combo now. The Z7 ability to dial in a perfect exposure with no guess work required has helped me cut down heavily on bracketing. Also, the in-camera stabilization allows me to shoot at much slower shutter speeds hand held than I ever dreamed possible with my previous DSLRs. This shot is 1/20sec at ISO 320, something I would have never managed previously with my shaky hands. I would have needed to boost the ISO to get a faster shutter speed or waste time setting up a tripod. In the fading evening light that would mean getting to shoot fewer scenes. In conclusion, the Z7 has made an immediate and noticeable positive impact on how I shoot and the images I produce. I highly recommend it for anyone looking to jump to the Nikon mirrorless system.
Here’s a slightly different angle on the French Pavilion maze. The flowers add some nice contrasting color that really drew me to this spot. Edited a bit darker and moodier than I have in the past as well but I’m digging it. I also did a black and white film noir edit for this one that I might share later. Enjoy.
This is a throw away shot I’ve been sitting on for quite a while now. I finally figured why let it go to waste and I’m sharing it. If you like it, great. If you now think less of me as a photographer, pretend you never saw it and scroll through the rest of my feed instead.
The past few trips I’ve become really fascinated with shooting the tree from the It’s a Bug Life exit. I’ve found there’s no better time to try it than when they are running one of the shows as you get so many different color schemes to attempt to capture. Add in a few lasers (I could go for a few more) and I end up with an image I’m happy with. Enjoy.
Decided to circle back to some more Disneyland shots as I still have many unprocessed from my visit over a year ago. This night I was presented with a rare clear sky night and was able to capture some elusive Disneyland stars. Enjoy!
So, here’s a shot I’ve seen done a bunch but never attempted myself. Now that I have the Nikon Z7, the flip screen really makes these types of shots easy. It took me a few shots to get everything perfectly symmetrical but worth it as it’s critical for making or breaking this shot. Finally, I opted to use my Nikon 14-24 2.8 vs my Rokinon fisheye as it helped keep the edges with straight line which I found more appealing.
After yesterday’s Epcot announcements I decided to go through my photos from my most recent trip last year and edit perhaps one of my last shots of the fountain before its return to glory. It will be interesting to see how the changes lend towards future photos. Until then…
I tried something a little different this time by putting the rail on the left instead of the right. All my other shots from up here have been on the other side of the rail so it was either on the right or I would shoot over it to eliminate completely. Shooting from the stairs helped mix it up a bit. Enjoy!
It’s been years since I’ve shot these guys, so I figured it was time for a redo. @whoiscliffwang provided some additional external lighting which not only contributed to the final image but making focusing in this very dark area much easier. Overall, I think this is a much better and moodier effort than the one I did 4 years ago. Enjoy.